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Despite the dizzying array of personnel changes that the group underwent in later years, this lack of a dedicated lead singer would remain a stylistic trait of the Byrds' music throughout the majority of the band's existence.A further distinctive aspect of the Byrds' image was their unsmiling air of detachment, both on stage and in front of the camera. (to Everything There Is a Season)", which provided the band with their second U. number 1 single and served to cement folk rock as a chart trend. album served to establish the Byrds as one of rock music's most important creative forces, on a par with the Beatles, the Beach Boys and the Rolling Stones.The original five-piece lineup of the Byrds consisted of Jim Mc Guinn (lead guitar, vocals), Gene Clark (tambourine, vocals), David Crosby (rhythm guitar, vocals), Chris Hillman (bass guitar, vocals), and Michael Clarke (drums).Several former members of the band went on to successful careers of their own, either as solo artists or as members of such groups as Crosby, Stills, Nash & Young, the Flying Burrito Brothers and the Desert Rose Band."Mc Guinn and I started picking together in The Troubadour bar which was called 'The Folk Den' at the time ...The excitement generated by the Byrds at Ciro's quickly made them a must-see fixture on L.A.'s nightclub scene and resulted in hordes of teenagers filling the sidewalks outside the club, desperate to see the band perform.The Byrds' rendition of "All I Really Want to Do" is noticeably different in structure to Dylan's original: it features an ascending melody progression in the chorus and utilizes a completely new melody for one of the song's verses, in order to turn it into a Beatlesque, minor-key bridge. With all five members sporting Beatlesque moptop haircuts, Crosby dressed in a striking green suede cape, and Mc Guinn wearing a pair of distinctive rectangular "granny glasses", the band exuded California cool, while also looking suitably non-conformist.Although Mc Guinn was widely regarded as the Byrds' bandleader by this point, the band actually had multiple frontmen, with Mc Guinn, Clark, and later Crosby and Hillman all taking turns to sing lead vocals in roughly equal measures across the group's repertoire.
As the 1960s progressed, the band was influential in originating psychedelic rock and raga rock, with their song "Eight Miles High" and the albums Fifth Dimension (1966), Younger Than Yesterday (1967) and The Notorious Byrd Brothers (1968).
Rather than using band members, producer Terry Melcher hired a collection of top session musicians, retroactively known as the Wrecking Crew, including Hal Blaine (drums), Larry Knechtel (bass), Jerry Cole (guitar), and Leon Russell (electric piano), who (along with Mc Guinn on guitar) provided the instrumental backing track over which Mc Guinn, Crosby and Clark sang.
In addition, it was during their residency at the nightclub that the band first began to accrue a dedicated following among L.
Indeed, the contemporary music press was extremely critical of the Byrds' abilities as a live act during the mid-1960s, with the reaction from the British media during the band's August 1965 tour of England being particularly scathing. In addition, music critic William Ruhlmann has noted that the song's lyrical message of peace and tolerance struck a nerve with the American record buying public as the Vietnam War continued to escalate. His songs from this period, including "She Don't Care About Time", "The World Turns All Around Her", and "Set You Free This Time", are widely regarded by critics as among the best of the folk rock genre.
During concert performances, a combination of poor sound, group illness, ragged musicianship, and the band's notoriously lackluster stage presence, all combined to alienate audiences and served to provoke a merciless castigating of the band in the British press. Author Scott Schinder has noted that, along with Mr. The latter song was even chosen for release as a single in January 1966, but its densely worded lyrics, melancholy melody, and ballad-like tempo contributed to it stalling at number 63 on the Billboard chart and failing to reach the UK chart altogether. being released, Dickson and the Byrds approached Columbia Records and requested that Melcher be replaced, despite the fact that he had successfully steered the band through the recording of two number 1 singles and two hit albums.